Facing the Mask uses the mask, a central element for many African societies, as a marvelous point of entry into Africa, its arts, its diverse cultures, and its richly varied traditions.

Through the mask, a dynamic object intended to be experienced in motion and in ritual use, visitors gain insight into spiritual belief system--masks are often the conduit between spiritual and earthly realms; music and dance traditions intrinsic to the performance of a mask; and societal roles, which are clearly defined and profoundly connected to the maintenance of well-being and continuity of life within a community.

Generally created by certain members of a group, masks may only be danced by individuals with certain roles or status in society and in many instances, are even forbidden to be seen by other members of the community. Exhibition catalogue by Frank Herreman with essay, Behold the Mask: A Yoruba Scholar's Experience by Babatunde Lawal.

Published by the Museum for African Art, New York, September 2002. 72 pp.

Paper only: ISBN 0-945802-33-1. LCCN 2002107633.